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The Redmond Mural is being filled up by fun little critters based on designs submitted by kids. In this second Phase of the Permanent Installation Artist Residency project at VALA, I am taking the designs submitted by kids and re-imagining them as creatures that live in the imaginary landscape. See the full critter album, updated daily, on my Facebook Art Page (and please 'LIKE' the page while you are at it :) ).
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The folks at the Redmond Reporter were kind enough to do a feature article on both my mural project and me(!) and then wonderful enough to put it on the front page. Read the printed article here and the online version here.
As Artist-In-Residence at VALA Eastside, I will be creating a giant painting 35-feet x 6-feet for permanent installation in Redmond Town Center (RTC). I call it a painting and not a mural, because I will be working with brushes and fine-art materials, not the usual spray paints and rollers that are typically employed for large scale murals. Painting outdoors in October in the Pacific NW is not a good idea so we decided I would paint on plywood panels which would be subsequently installed on the site. The site itself is oddly shaped so before I could start, the RTC management commissioned the creation of plywood panels sized to the site. [Technical note: The plywood used here is half-inch MDO (Medium Density Outdoor) plywood, which is specifically designed for outdoor usage, and is most commonly used for highway signs. It is generally weather resistant]. Plywood comes in standard 4' x 8' pieces. To fit the space required piecing together about 7-8 boards of plywood cut to size. A backing frame was also built on the site to support the plywood. Removing the panels and moving them indoors was easier said than done, as plywood has significant weight. [Technical note: Three-Forth inch MDO is stiffer than half-inch MDO, but also weighs 50% more, which is not a trivial matter if working on pieces like this alone. For most painting or murals, half-inch MDO should be good enough, unless you specifically need the additional thickness and strength] Although MDO plywood is designed for outdoor use, the plywood still needs to be sealed with some form of latex or acrylic primer (your local paint store can make a recommendation). Generally two coats are recommended, including on the sides and back. This took a couple of days to finish. Getting the sides was tricky as it required lifting the panels off the ground and keeping them there till the primer dried. I previously created a maquette (smaller, scale model) of my intended painting. In order to reproduce the maquette design, I would first have to transfer the design from the small scale to a larger scale. For this I used the time-tested method of gridding both source and destination and transferring the design one grid at a time. For the panels, I first sketched out a grid by drawing horizontal and vertical lines spaced 1 foot apart. (For lack of a 8-foot long ruler, I ended up using a piece of metal frame that I found lying around): On my computer, I then sketched a proportional scaled grid on top of a photo of my maquette design: Printed out, I now had a gridded design I could simply copy onto the larger grid using charcoal. The advantage of using charcoal is that it creates temporary lines that can be easily brushed off, removed or moved around. The downside is, you can lose the charcoal lines just as easily. The last step in transferring the design is to cover the charcoal lines with a thin layer of paint (in this case Raw Umber) which becomes permanent as it dries. Finally the design is captured and the panels are ready for paint: On goes the paint: [Interlude: How to paint a mountain in 8 steps:] Sometimes to get the right effect, you have to do some crazy things, like making 8000 (!!!) of these vertical strokes: At this point I realized I needed a better way to document the progress on the mural. So I purchased an inexpensive Interval-o-meter for my camera, set that up on a tripod on a timer, and started taking photos of the mural every thirty seconds. Later I transfer the photos to a tool like Windows Movie Maker, and turn the stills into a video. It takes 4 minutes of stills to produce 1 second of time-lapse. The following time-lapses capture the progress for the next 2 weeks of painting. You will see a lot change in the few days, and very little change towards the end. ( 1,500 individual trees. I must be crazy!) Keep your eyes peeled below at around the 7-second mark: That completes the first phase of this project, which was to put in the landscape background: The second phase of this project is to take a large number of drawings of imaginary creatures contributed by kids and find a way to populate the landscape with creatures inspired by those drawings. More about that later!
I am pleased to announce that I have been selected as the artist-in-residence at VALA Eastside, a non-profit arts organization based in Redmond. As part of this residency, I will be creating a permanent art installation in the heart of Redmond Town Center.. The space for this permanent artwork is located behind a water feature in Redmond Town Center that is extremely popular with kids and families. I therefore proposed that the artwork created in this residency be not just kid-friendly, but also involve community-kid participation. The project we finalized upon is for me to now create a mural of an imagined northwest-landscape (titled 'Imagination Northwest') that will be populated by imaginary creatures inspired by drawings submitted by kids from the local community. As a first step I came up with a maquette (scale model) of the mural. Here is a progress-animation of the creation of the maquette: On Sept. 20th, we (myself, VALA, and Redmond Town Center (RTC)) set up a booth at RTCs Goodfest event and invited visiting kids to submit drawings of any creature they could imagine There was tremendous and enthusiastic participation from kids ages 1-14. (Yes, even 1-year olds participated). Over the course of the day we collected 180 designs from kids. My thinking at the start of the project was that I would be able to transform sketches kids made into something fun and colorful. (However turns out the kids are pretty resourceful, detailed, and colorful in their drawings, so I am going to have my work cut out for me) :)
To create the actual mural, RTC commissioned the creation of plywood panels sized to fit the site. These panels will be removed and moved to the VALA Art Center and Studio Spaces in Redmond. Over the course of October, I will be painting the mural inside VALA, taking the design from my maquette and incorporating into it creatures based on the kid's drawings. Follow along my blog and facebook page to see the project as it progresses. In the meantime you are invited to come to my artist reception on October 10th at VALA. More details here: https://www.facebook.com/events/1475633479356789/1482823261971144/ |
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